Cardsexchange

Thoughts I really like this move i had a few ideas on how it was done but not even close. Like many at first i thought it was "CardSEXchange" which gave me a laugh but it is acually Cards Exchange sorry guys haha. This move initially has SOO many applications. I very much think it is worth the price you get a colour change, force, control, transpostition and much more. Now that i've had my say lets start breaking this thing down.

What They Say When Chris wrote A Clockwork Apple, he realized that he had far too many applications of his amazing Cardsexchange move to put them all in the booklet. So, in true Vanishing Inc. style, we've put together an amazing download packed with ideas and tricks for this great move, complete with a full, detailed explanation of the Cardsexchange move.

Teaching This was probably one of the funniest explanation videos i have seen in a while Chris is such a funny guy and you know what i mean if you have bought the download. Chris does very well in explaining the move and goes over it a few times. Some bits were rushed but they were easily understandible parts of the move. Overall the teaching is exceptional.

Method I really love the method everything is accounted for the move isnt that hard either. Chris goes over the move in great detail i love the fact this can be used for so so many things i can't wait to start playing around with this.
Angles are not really a problem there is one thing that Chris says you should watch and with practice in the mirror im sure you will be fine.
You guys can see it's visual and hands off no cover, which most in the deck colour changes need, this appeals to me alot.

Applications Wow.... there really are alot of applications for this move. Transpositions, Colour Changes, Forces, Controls and a Card Switch in general. Im sure there are many many more applications im sure you will apply this to something already in your arsenal. A very Versatile move in my Opinion.


Quality Nothing wrong here the picture is clear and there are some really great angles helping the learning process.

I recommend this move to anyone who thinks it looks good from beginner to advanced it really is what it is and it is not a super hard move to obtain.

Pick this up guys you wont be dissapointed.

As for people with this item already i leave you with this.

TRICERATOPS!

Tom

In my opinion this is one of the most visual changes available!
The fact that the spectator can take his card is stunning....

I have a few items by Chris including A Clockwork Apple. I also saw him lecture at Tannens magic shop. All of his stuff is great. I really like this color change. You do have to do a little work to get into the position for the card to change. But once you’re there, the change looks as smooth as butter. Super visual. And it looks great especially when you practice in front of the mirror. It will take a little bit of work though.

would like to bring an important point to your attention.My name is David Jade, creator of the “Swing Control”, a control technique that I published nearly 30 years ago, notably in the magazine Magic Magazine (1998 issue), as well as in lecture notes that were exclusively distributed in a conference setting and which I possess in DVD format.This technique was also published in another form in the magazine Magic Channel One, in a version translated from French into English by my friend Sébastien Clergue.I would like to emphasize that I personally possess all of these materials — the lecture DVD as well as the magazines Magic Magazine and Magic Channel One — which clearly and consistently establish the prior existence of this technique.In your video, this control technique (Swing Control) is used.To be technically precise:the card is shifted forward, with the deck angled toward the spectator’s eyes, allowing them to clearly see their card face-up. When the deck is then lowered, the card still appears to be protruding from the back of the deck, while in reality it has already been controlled to the top.This principle, mechanics, and illusion correspond exactly to the technique I developed and published.At this time, I do not have your direct contact details, which is why I am reaching out through this channel.I would also like to point out that reusing a published technique without proper credit reflects, at the very least, a lack of thorough research and an unfamiliarity with some of the fundamental references within our art.This situation appears to be symptomatic of certain contemporary trends, particularly within social media environments, where transmission sometimes occurs at the expense of proper attribution and traceability.Several professionals within my network, already informed of these elements, can attest to the accuracy of my statements.I remain available for any constructive discussion on this matter. DAVID JADE