Marvellous Multiplying Boxes
The UK's Matthew Wright has won virtually every award possible in magic, and we're proud of our first collaboration with him, The Marvelous Multiplying Card Box. This routine comes straight from his award winning FISM act.
This is a slick way to begin your act or you can use it before your favorite card routine. It's a visual way to produce four card boxes from your fingertips. The trick is easy to perform, and it's a startling production up close or for parlor performances. The gimmicks can be applied to card manipulation, or simply as a cool and amazing interlude before you begin your favorite card routine.
Matthew includes a number of routines, including a great ending where, after performing the multiplying card box routine, you remove the cards from the box and they jump straight back into the box. Matthew even provides ideas of how to integrate the gimmicks in other routines, such as a Card Under Box routine.
The package comes with everything you need to perform, including our custom production card boxes (made for Bicycle cards), and a complete download with Matthew Wright. You also receive six stickers, giving you the flexibility to make red or blue Bicycle gimmicks.
Customer reviews for Marvellous Multiplying Boxes
Matthew Wright has released this fun opening that he used in his award-winning FISM act. And it really is fun. The name explains it all. This is a set of nesting card boxes that are well-made of a thin hard plastic. The shells are not printed on. They have special, matte-finish, scratch resistant, tear-proof stickers that resemble Bicycle card boxes. The shells are extremely quiet, easy to handle and smooth. The set, when nested, takes up no more room than a single deck of Bikes. While the originals were made of metal, the ones on the market now are made of plastic and easier to handle and lighter. I first saw these at a recent convention and was impressed. Then I received them for review and was definitely impressed at the quality of the shells and labels. The labels, if positioned correctly, and not over-used, should last at least a year or so for the regular worker. This an effect that can easily be used in multiple situations; stage, formal close-up, table-hopping, and more. I cannot think of a place that this would not work.
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