PK Touch Chairs





Here is the "Killer" effect you will just love performing on stage!
David Kleiner, after trying all existing artifacts decided to create his own made in France version. And this time, it is 100% reliable. Since then, he has presented this number hundreds of times and in some sketchy stage conditions sometimes. The contact system he has designed is truly reliable and will answer all demands of stage performers who can't afford working with low quality artifacts.
Effect:
Two audience members are offered an experience on stage... Both are sat on a chair, a few feet apart, on each side of the stage. They are blindfolded. You ask them to raise their hand every time they feel poked. You poke the first person, whose arm will raise, then you poke the second assistant whose arm will raise as well. Now, it's time for you to try a unique psychic experience, telepathy via touching. When you touch the first assistant, the second one will raise their arm at the exact same moment. Both assistants will feel poked when you actually only touched one. Strange...
There are many other uses for this device, such as asking an audience member for a number then pass it on to the a second audience member blindfolded and standing several feet away on the stage, only by telepathy.
The pack contains:
- 2 rigged chairs
- 1 remote control
- 1 charger
- 1 feather
- 2 blindfolds
- 1 board
- 1 transport bag
- An online tutorial link in English
All the necessary equipment is provided.
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Community questions about PK Touch Chairs
Have a question about this product? It's possible others do too. Ask here and other Vanishing Inc. Magic customers will be able to respond with assistance! Alternatively, email us and we can help too.
Tim asks: Hi. Are the touches felt on different parts of the body by the spectator or always the same point? Thanks ??
- 1. Vanishing Inc. Magic responds:The effect is designed so the spectator clearly feels the touch, and it can be structured so it feels like distinct touches rather than always the same point. How it is experienced depends on how you routine it, but it plays as separate, convincing moments of contact in performance.
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