Vanishing Inc. Magic Blog

Named-Card Effects are NOT Always Better than Chosen-Card Effects

By Joshua Jay -

Sometimes a thought-of, named card effect precludes the notion of any sort of force. “I could have named any card,” a spectator might think or even say aloud, in amazement. Other times it might be met with disappointment: “That’s easy because I told you my card.” Context is everything. I’d like to address the misperception that named-card routines are somehow inherently better than chosen card routines.

I’m struck by how many memorized deck routines simply convert chosen-card routines to name-a-card routines without much consideration for whether this improves the effect in the minds of the spectators. For example, nearly every newcomer to memorized deck magic realizes you can do Vernon’s seminal “Triumph” with a named card. But just because you can doesn’t mean you should. A chosen card is (apparently) a secret; a named card isn’t. Much of the drama derived from all card magic comes from the magician’s not knowing a selected card or where it resides in the pack.

I approach this fallacy from this standpoint: chosen-card tricks are easier understood and appreciated by lay audiences. If you’re going to perform a name-a-card trick, the responsibility is yours to communicate why naming a card is, in that context, more impressive to what you’re doing. I think magicians would do well to do less material with thought-of, named cards, and to build up these moments more.

Reader comments

Harapan Ong

Harapan Ong

Why would you say something so controversial and yet so brave? Great article.

George Tait

George Tait

I couldn't agree more!

Trent Felton

Trent Felton

True. Thanks.

Albert Smith

Albert Smith

" just because you can doesn’t mean you should." Totally agree. Derek Dingle was the master of the kicker and generally in hands they worked. So many tricks have kicker on kicker on kicker that the strength of the original, stand-alone effect, is lost.

R. Lee Davis

R. Lee Davis

This is a presentation question, that's for sure. I've seen top pros say "Most magicians will ask you to pick a card out (while spreading the deck for illustration), remember it and put it back, and then amazingly find your card(!), so *this* time I want you to just think of a card...now, what was the card you're (only) thinking of?" This type of presentation may imply the impossibility of finding a chosen card when returned to the pack, but ups the game when demonstrating it with *only* a thought-of card (IMO)...

Ben Levy

Ben Levy

The is actually research to back up precisely this notion! Take a look at Experiencing the Impossible by Gustav Kuhn. At the same time, the verbal preamble does a lot to emphasise the impossibility of a named card being known/ found/ missing etc. For example, consider the difference between the request to 'name a card' and 'consider all the possible playing cards in a deck. Let your mind settle on one. But make sure it's one that you couldn't imagine anyone would guess...' The psychological context in the latter script is one of absolute freedom (whilst ironically and as a bonus, in this particular case, limiting the participant's choice options!)

chris dugdale

chris dugdale

The inherent issue here is an idiographic answer trying to satisfy a nomothetic challenge. Perception is reality. One person’s reality may differ from fellow audience members. The embellishment of false memories aids in miscalling actual events. As performers we need to think about language construct, actions, reinforcements both non-verbal and verbal, to heighten the level of illusion… remembering at all times that real magic exists - real magic is the misinterpretation of the effect in the mind of the spectator - Chris Dugdale

You need to "find" the card before they tell you what card they are thinking of.

Leave a comment

to post a comment.

Back to blog homepage

Similar posts on the blog

A Practical Guide to Headshots for Magicians
A Practical Guide to Headshots for Magicians

A Practical Guide to Headshots for Magicians

Andi Gladwin - 20-Nov-2024

Category: Articles


Andi breaks down the technical side of headshots. Where to put them, what photos you need, and why you shouldn't use lead with holiday snaps on your Facebook!

How to Stand Out On Fool Us
How to Stand Out On Fool Us

How to Stand Out On Fool Us

Vanishing Inc. - 10-Jan-2024

Category: Articles


Genii magazine asked Executive Producers of Fool Us, Andrew Golder and Lincoln Hiatt, about what it takes to succeed on Fool Us, and they've allowed us to share their answers with you!